First of all, to clear some doubts: a lot of people have been asking me if there is any way of distinguishing the limited edition vinyl version of this album from the regular, retail one, but without removing the shrink wrap. No there isn't. The covers are actually identical in every possible way, and the notable differences are related to the weight of the LPs themselves and the inclusion of a 66x66cm poster inside (printed on high quality gloss paper, yet it's a pain in a** to find a frame for it, since its dimensions are atypical). The limited edition has no numbering or any additional information provided on either the spine or the back of the sleeve. Secondly, the limited edition was only available in Amsterdam's Rush Hour Record store, so if anyone is trying to sell you a copy, pay attention. That said, my copy (and I assume the remaining 99 copies) has a misprint on the center label of the C side: there is a mistake in track titling, as the track "All Together" (C2) has been labeled as "All Of A Sudden" (D2).The back of the sleeve of the contains the basic release information (catalog # and bar code) in the lower right hand corner on both versions of the release, so you won't be lucky by staring there either.Basically, if you're looking for a copy, your best shot is contacting the guys over at Rush Hour and try to sort it out with them, because you will not be able to tell what copy you're about to purchase unless you have microscopic digital weight scales implanted in your finger tips.The music. It's another powerful statement from the producer, who has been on a roll since 2012 "From The Far Future Part 2" issued on Tresor, delivering stellar minimalist patterns, tight analog loops, and reckless attitude. This record is not that different, as Terrence continues, with the utmost focus, to deliver his distinct vision of bare bones minimal techno. Torn between sonic chaos and hi-tech jazz and even mystifying, messy electro. Yet, if I had to point one thing out, I'd dare call this release slightly more accessible than the stuff he recently put out on his own 'reduction' label. Sure, it's still the playful, menacing, tense and alien Dixon fare many love, but it's the variation between these tracks that makes it more of a easily digestible listening session.Stand-outs would be hard to pin point, but some of the elements that really grabbed me were the amazing double-bass on "Only For You", as it really sounds like Terrence Dixon was kicking it in the studio with a member of an ensemble. Furthermore, the chaotic harmony of "Inner City Circus" will sure evoke memories of the more chaotic tunes off of the 12" releases from the 'reduction' imprint (reduction three B2, reduction five B1 or reduction four A1), and even some of the more stomping material from Badge Of Honor ("Operation Acoustic", "Radio Room", Incoming") and the unusually vivacious All Together, which reminds of the sublime "Horizon" from his sophomore Tresor album, providing joyful melody work over steady and bouncy, gently drifting percussion. "Battle For Space", a three minute sci-fi theme, practically beatless, captures that austere and paranoid space vibe, in the vein of the finest Axis records.But it's all quality regardless of your preferences. I would definitely recommend seeking this one out before venturing into some of his other, far more abstract, if not introspective and leftfield material. It may not be a milestone - yet - like his jaw dropping amazing album released on Tresor in 2012, but I reckon it's an improvement if compared to his double pack on Surface from 2013. There's plenty here to please both DJs and mere music heads. In the right hands, these eight pieces will prove their might far better than one may imagine upon initial listens, while the decision to dissect Detroit techno from multiple angles and through various moods proved a win-win situation. If you want to try and catch a glimpse of what his work is about, you'd yourself a favor by starting here. This is a fine collection, one that moves and upon request could most definitely make one move. Still a far cry from all the cookie cutter stuff filed as techno these days, but given the amount of material he released in the past thirty six months or so, one can have a hard time picking a starting point. While some of his creations distance themselves so far away from the dance floor demands most just cannot be bothered to give them a try, or it is just so impeccably restrained and reduced that it puts nerves to the test before one had anticipated when placing the needle under the record, Theater Of A Confused Mind, displays a little bit of it all, never sticking to a certain equation for too long.As far as Terrence Dixon's production opus goes, if you like this album, by no means stop here. There is a treasure chest of phenomenal minimal techno created in his sound laboratory during these past twenty years!

Pretty solid techno album. Very Tresor-esque. The second half of the cd is where it shines for me. Darker abyss techno that sounds like it's from 1996 or 2014. It's very hard to pinpoint the year made. Not sure if the artwork goes with the music. Music draws more black and greys like his last Terrence Parker album on Tresor. Highlights include All of a Sudden which is the deepest song on here. Almost Gas like. All Together is the most immediate liked on the cd. Almost has an electro funk to it. Hypnotizing stuff there. The Test is also a nice little quirk techno cut. We live in Outer Space is reason to buy the cd version because it's only included here as are another two. This one is trippy and eerie. Yet the bassline is groovy. Picture James Ruskin darkness and Robert Hood production and Terrence is right there at the top of his game. This isn't as good as is his last few albums IMO but still a solid B+ rating. There is a few ok ones on the cd but overall it makes you want to listen more to understand the twistedness in here.