By the 1950s Blue Note became a leader in the new art form – the LP cover. In 1956 Reid Miles, who had worked at Esquire magazine, was employed at the label as a graphic designer and it is his creativity along with Wolff’s photographs of the musicians that have come to exemplify the art of Blue Note. The Sans-Serif type face, the tinted photographs and the bold use of single colours make his work not only influential in album cover art but in graphic design in general. Andy Warhol did a few cover drawings for Blue Note including these two Kenny Burrell albums from the late 1950s