This record is more on the trance side then the house side.

The A Side of this record is bland and uninteresting, but the B Side is a euphoric, instantly recognisable smash-hit with a killer bassline and beautiful build-up. Like most Paradise Soul productions, it ties reedy strings with clean, raspy percussion and focusses strongly on progression and mood. The result is a non-vocal yet massively popular track that sent crowds crazy every time it appeared at parties during this era. My most memorable experience with this track takes place at Summadayze Festival 2006, in Melbourne, Australia on 1st January. Typically, the day is a scorching 35 degrees celsius. However, that day it was rainy, wet and everyone was positively miserable. On a small side stage, Bob Sinclar took to the decks faced by a stony-looking crowd expecting him to play fluffy rubbish like "Love Generation", which had been released not six months earlier. Instead followed an incredibly eclectic and moving set of thumping house music, undeniably crowned at its peak by "Lotta Lovin'", which was three years old at the time. As the opening motifs blasted from the speakers, the crowd threw their hands into the air as one, a vision of sheer ecstasy and passion, forgetting about the rain, and embracing the true hedonistic spirit of dance music: something you can truly abandon yourself in, either as an individual or a group, regardless of what's happening in the world around you. This track will always hold a special place in my heart.