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M|A|R|R|S - Pump Up The Volume download mp3 flac

M|A|R|R|S House Instrumental Acid House Leftfield 1987 US

Performer: M
Genre: Electronic / Hip hop
Album: Pump Up The Volume
Released: 1987
Style: House, Instrumental, Acid House, Leftfield
MP3 version ZIP size: 1570 mb
FLAC version RAR size: 1104 mb
WMA version ZIP size: 1792 mb
Rating: 4.7
Votes: 871
Other Formats: WAV DXD APE ADX MP1 MP4 MP3

Free Download M|A|R|R|S - Pump Up The Volume

M - Pump Up The Volume
MP3 version .RAR archive

1570 downloads at 17 mb/s

M - Pump Up The Volume
FLAC version .RAR archive

1104 downloads at 13 mb/s

M - Pump Up The Volume
WMA version .RAR archive

1792 downloads at 14 mb/s

Tracklist Hide Credits

A1	Pump Up The Volume Rap [Additional Rapping] – Emix*	7:10
A2	Pump Up The Volume (Bonus Beat)	4:49
B1	Pump Up The Volume (Instrumental) Engineer – Steve OsborneEngineer [Assistant] – Julian Adair	5:04
B2	Anitina (First Time I See She Dance) Drums – ColourboxMixed By – Ivo*, John FryerMusic By – A.R. Kane	4:20

Companies, etc.

Distributed By – Island Trading Co.
Recorded At – Blackwing Studios
Mixed At – All Electric
Mixed At – Trident Studios
Published By – MNS Music
Published By – WB Music Corp.
Published By – Virgin Nymph
Licensed From – 4AD Ltd.
Phonographic Copyright (p) – Island Records Inc.
Copyright (c) – MNS Music
Pressed By – Specialty Records Corporation

Credits

Art Direction, Design – Vaughan Oliver
Engineer – Lincoln Fong (tracks: A1 to B1)
Guitar – A. R. Kane* (tracks: A1 to B1)
Mastered By – Herbie Jr :^)*
Music By – Martyn Young (tracks: A1 to B1), Steve Young* (tracks: A1 to B1)
Photography By, Artwork [Set Construction] – Panni Charrington
Producer – M. Young*
Sampler [Samples] – John Fryer (tracks: A1 to B1)
Scratches [Scratching] – C.J. Mackintosh* (tracks: A1 to B1)
Scratches, Performer [Drop Ins] – Dave Dorrell (tracks: A1 to B1)

Notes

The "Mars Needs Women" vocal sample comes from the movie, "Mars Needs Women" .

This edition was issued in a picture sleeve, and is further distinguishable from other editions by the copyright & publishing info on the center labels.

Catalog number on spine: B'WAY 452
Catalog number on center labels: BWAY 452

A Colourbox / A.R. Kane Collaboration

Recorded at Blackwing.
A-side mixed at All Electric.
B1 remixed at Trident Studios.
© 1987 MNS Music (PRS); All rights for the U.S. and Canada administered by WB Music Corp., ASCAP.
B2 published by Virgin Nymph, BMI.
All tracks under license from 4AD Ltd.
Distributed by Island Trading Co.
℗ 1987 Island Records, Inc.

Additional fine print on back of sleeve:
4th & Broadway, a division of Island Trading Company, an Island Records, Inc. company 14 East 4th Street, New York, N.Y. 10012
TM owned by Island Entertainment Group, Inc. Used under license. ℗© 1987 Island Records, Inc. under license from 4·A·D

Barcode and Other Identifiers

Matrix / Runout (Etched, Runout Groove, Side A): BWAY-452-A 1-2 HERBIE JR :^)
Matrix / Runout (Etched, Runout Groove, Side B): BWAY-452-B 1-2 HERBIE JR :^)
Matrix / Runout (Stamped, Runout Groove, Both Sides): (SRC logo)

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
BAD 707	M\|A\|R\|R\|S	Pump Up The Volume ‎(12", Single, Col)	4AD	BAD 707	UK	1987
BAD 707	M\|A\|R\|R\|S	Pump Up The Volume ‎(12", Promo, W/Lbl, Sta)	4AD	BAD 707	UK	1987
BAD 707	M\|A\|R\|R\|S	Pump Up The Volume ‎(12")	4AD	BAD 707	UK	1987
80327	M\|A\|R\|R\|S	Pump Up The Volume ‎(12")	4AD	80327	France	1987
BAD M 707 CD, RTD 120.1860.3	M\|A\|R\|R\|S	Pump Up The Volume ‎(CD, Maxi, RE, Dig)	4AD, Rough Trade	BAD M 707 CD, RTD 120.1860.3	Germany	1993

Saimath

While all hail to the sample-heavy title track that swallowed its own creators, both creatively and legally, it is the b-side (or as it insists, the aa-side) that gives way more weirdness to it. Whoever is "Anitina", the dreamy vocals drenched in feedback and echo-delay, blending with guitars and a smashing beat box, do way more justice to what M/A/R/R/S may have become from the over-exploited one-hit wonder they remain to be. Of course, there are several variations of both tracks via different editions. Each interesting to explore while differences are way more audible in the aa-side's versions. The main beast of a track is lost in its variants though, and depending on your personal taste - or better, mood - "Pump Up the Volume" will either thrill you or annoy you.

Uris

MARRS the name was a one hit wonder but the producers were far from it.

Rocksmith

"Pump up the volume" is a great electro-dance-disco blend which keeps a pounding rhythm and Great lyrics to put a smile on your face as well. Enjoy!

Kulafyn

Don't miss the hidden gem on the flip - Anitina (First Time I See She Dance). An interesting and groovy mid-tempo industrial club track with some solid drum and bass programming, wailing voices, strange samples. Best of Colourbox style without the cheese.

Felolune

I totally disagree with the other reviewer, first of all this is not a 70s/80s bridge, but a 80s/90s one..

Just_paw

Maybe read properly before commenting. It was said to be a bridge from the 70s/80s to a new world, not between the 70s and 80s

Stick

The impact of "Pump up the volume" in music was very massive, it was certainly a bridge between the 70/80 dance music and the house/techno of the 90s.You were probably too young in 1987 to remember, but there was nothing like this before (in mainstream music, obviously): Coldcut, Bomb the Bass, S-Express and all the others came later, and New Beat and Techno even more later.

Water

If there's a song out there that it's worth to be labeled "historical track" this is the one. A revolution, this is the bridge from 70s/80s typical discomusic to a new world. Not owning this record should be considered a crime.

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