Various - 20' To 2000 download mp3 flac
Performer: Various
Genre: Electronic
Album: 20' To 2000
Released: 1999
Style: Glitch, Drone, Experimental, Ambient
MP3 version ZIP size: 1152 mb
FLAC version RAR size: 1866 mb
WMA version ZIP size: 1842 mb
Rating: 4.3
Votes: 528
Other Formats: DMF ADX AUD MMF AU APE ASF
First digital sound carrier which made it into the collection of the Museum of Modern Art/MoMA.
The 12x CD set is completed by a special "magnetic link system" which joins the individual clam shells to form one object.
Genre: Electronic
Album: 20' To 2000
Released: 1999
Style: Glitch, Drone, Experimental, Ambient
MP3 version ZIP size: 1152 mb
FLAC version RAR size: 1866 mb
WMA version ZIP size: 1842 mb
Rating: 4.3
Votes: 528
Other Formats: DMF ADX AUD MMF AU APE ASF
Free Download Various - 20' To 2000
- 1152 downloads at 17 mb/s
MP3 version .RAR archive
- 1866 downloads at 13 mb/s
FLAC version .RAR archive
- 1842 downloads at 14 mb/s
WMA version .RAR archive
Tracklist
| Manhatten | |||
| 1.1 | –Komet | Untitled | 5:06 |
| 1.2 | –Komet | Untitled | 4:32 |
| 1.3 | –Komet | Untitled | 3:48 |
| 1.4 | –Komet | Untitled | 4:49 |
| Untitled | |||
| 2.1 | –Ilpo Väisänen | Untitled | 0:20 |
| 2.2 | –Ilpo Väisänen | Untitled | 3:05 |
| 2.3 | –Ilpo Väisänen | Untitled | 2:34 |
| 2.4 | –Ilpo Väisänen | Untitled | 3:21 |
| 2.5 | –Ilpo Väisänen | Untitled | 3:25 |
| 2.6 | –Ilpo Väisänen | Untitled | 4:24 |
| 2.6 | –Ilpo Väisänen | Untitled | 0:51 |
| 2.8 | –Ilpo Väisänen | Untitled | 3:25 |
| 99 :: Variations For Modulated 440Hz Sinewaves :: | |||
| 3.1 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.2 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.3 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.4 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.5 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.6 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.7 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.8 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.9 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.10 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.11 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.12 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.12 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.14 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.15 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.16 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.17 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.18 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.19 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.20 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.21 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.22 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.23 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.24 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.25 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.26 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.27 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.28 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.29 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.30 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.31 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.32 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.33 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.34 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.35 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.36 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.37 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.38 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.39 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.40 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.41 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.42 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.43 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.44 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.45 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.46 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.47 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.48 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.49 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.50 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.51 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.52 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.53 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.54 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.55 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.56 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.57 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.58 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.59 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.60 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.61 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.62 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.63 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.64 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.65 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.66 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.67 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.68 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.69 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.70 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.71 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.72 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.73 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.74 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.75 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.76 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.77 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.78 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.79 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.80 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.81 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.82 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.83 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.84 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.85 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.86 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.87 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.88 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.89 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.90 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.91 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.92 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.93 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.94 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.95 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.96 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.97 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.98 | –Ryoji Ikeda | Untitled | 0:12 |
| 3.99 | –Ryoji Ikeda | Untitled | 0:24 |
| Into Memories Of S-Tone. For Gavin Bryars | |||
| 4.1 | –CoH | Untitled | 20:21 |
| Untitled | |||
| 5.1 | –Byetone | Untitled | 7:59 |
| 5.2 | –Byetone | Untitled | 4:25 |
| 5.3 | –Byetone | Untitled | 2:07 |
| 5.4 | –Byetone | Untitled | 5:16 |
| Untitled | |||
| 6.1 | –Senking | Untitled | 9:59 |
| 6.2 | –Senking | Untitled | 8:22 |
| |||||.|.... | |||
| 7.1 | –Ester Brinkmann | Untitled | 19:50 |
| Cystic | |||
| 8.1 | –Scanner | Untitled | 20:00 |
| Time..Dot | |||
| 9.1 | –Noto | Untitled | 4:49 |
| 9.2 | –Noto | Untitled | 11:00 |
| 9.3 | –Noto | Untitled | 4:26 |
| Untitled | |||
| 10.1 | –Mika Vainio | Untitled | 18:39 |
| 20 Minuten Gas Im November | |||
| 11.1 | –Wolfgang Voigt | Untitled | 10:04 |
| 11.2 | –Wolfgang Voigt | Untitled | 10:04 |
| Zwölf | |||
| 12.1 | –ELpH | Untitled | 20:00 |
Credits
- Artwork – Carsten Nicolai, Olaf Bender
- Other [Magnetic Link System] – BLESS
- Producer – Carsten Nicolai, Olaf Bender
Notes
20' to 2000 - twelve releases about the cutting edge of the millenium.First digital sound carrier which made it into the collection of the Museum of Modern Art/MoMA.
The 12x CD set is completed by a special "magnetic link system" which joins the individual clam shells to form one object.
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