Various - Best Of Chesky Classics & Jazz And Audiophile Test Disc Volume 3 download mp3 flac
Performer: Various
Genre: Jazz / Non Music / Classical
Album: Best Of Chesky Classics & Jazz And Audiophile Test Disc Volume 3
Released: 1994
MP3 version ZIP size: 1338 mb
FLAC version RAR size: 1441 mb
WMA version ZIP size: 1915 mb
Rating: 4.6
Votes: 911
Other Formats: MP4 DMF MP3 XM FLAC WAV ASF
Issued with an 24-page booklet, in English and German.
Genre: Jazz / Non Music / Classical
Album: Best Of Chesky Classics & Jazz And Audiophile Test Disc Volume 3
Released: 1994
MP3 version ZIP size: 1338 mb
FLAC version RAR size: 1441 mb
WMA version ZIP size: 1915 mb
Rating: 4.6
Votes: 911
Other Formats: MP4 DMF MP3 XM FLAC WAV ASF
Free Download Various - Best Of Chesky Classics & Jazz And Audiophile Test Disc Volume 3
- 1338 downloads at 17 mb/s
MP3 version .RAR archive
- 1441 downloads at 13 mb/s
FLAC version .RAR archive
- 1915 downloads at 14 mb/s
WMA version .RAR archive
Tracklist Hide Credits
| PART ONE: THE MUSIC | |||
| 1 | –Ana Caram | AfricandoWritten-By – Lula Barbosa, Wismar Rabello |
3:44 |
| 2 | –Livingston Taylor | Out Of This WorldWritten-By – Livingston Taylor, Maggie Taylor |
2:41 |
| 3 | –Leny Andrade | WaveWritten-By – Antonio Carlos Jobim |
5:51 |
| 4 | –The Connecticut Early Music Festival Ensemble | Winter : Allegro Non Molto (The Four Seasons)Harpsichord, Conductor [Director] – Igor KipnisWritten-By – Antonio Vivaldi |
3:27 |
| 5 | –Rebecca Pidgeon | GrandmotherWritten-By – Rebecca Pidgeon |
6:26 |
| 6 | –Orquesta Nova | Battery ParkWritten-By – Carlos Franzetti |
5:09 |
| 7 | –Laverne Butler* | I Cover The WaterfrontWritten-By – Ed Hayman*, John Green* |
6:07 |
| 8 | –Sara K. | Horse I Used To RideWritten-By – Sara K. |
4:26 |
| 9 | –The Fred Hersch Trio | Con AlmaWritten-By – Dizzy Gillespie |
5:57 |
| 10 | –Badi Assad | Num Pagode Em PlanaltinaWritten-By – Marco Pereira |
4:41 |
| 11 | –Westminster Choir | Ave Verum CorpusConductor – Joseph FlummerfeltWritten-By – Mozart* |
3:38 |
| PART TWO: AUDIO DEMONSTRATIONS AND TECHNICAL TESTS | |||
| 12 - 23 A GUIDED TOUR THROUGH THE AUDIOPHILE WORLD | |||
| 12 | –John Henry | Announcement/Artificial Stereo Demonstration | 1:26 |
| 13 - 20 Microphone Technique | |||
| 13 | –No Artist | Mono Mike | 0:34 |
| 14 | –No Artist | Artificial Stereo | 0:34 |
| 15 | –No Artist | XY Cardioid Technique | 0:34 |
| 16 | –No Artist | XY And Added Ambience | 0:34 |
| 17 | –No Artist | XY With Increased Ambience | 0:34 |
| 18 | –No Artist | Crossed Figure 8's | 0:34 |
| 19 | –No Artist | Spaced Pair Of Omnis | 0:34 |
| 20 | –No Artist | Three Spaced Omnis | 0:34 |
| 21 - 23 Instrument Placement | |||
| 21 | –John Henry | Announcement | 0:15 |
| 22 | –No Artist | Piano Against The Wall Of The Studio | 0:18 |
| 23 | –No Artist | Piano In The Middle Of The Studio | 0:18 |
| 24 - 27 Natural Vs. Artificial Space | |||
| 24 | –John Henry | Announcement | 0:24 |
| 25 | –No Artist | Drum Set Recorded In A Dry Studio | 0:44 |
| 26 | –No Artist | Drum Set In A Live Studio | 0:36 |
| 27 | –No Artist | Drum Set With Artificial Reverberation | 0:45 |
| 28 - 29 Natural Vs. Artificial Imaging | |||
| 28 | –No Artist | Natural Stereo Imaging | 1:44 |
| 29 | –No Artist | Artificial Stereo Imaging | 1:28 |
| 30 - 32 Natural Vs. Compressed Dynamics | |||
| 30 | –John Henry | Introduction To Compressors | 0:58 |
| 31 | –No Artist | Jazz Group With Compression | 0:13 |
| 32 | –No Artist | Jazz Group Without Compression | 0:15 |
| 33 | –No Artist | New 20-bit High-Resolution Technology | 2:04 |
| 34 - 45 TECHNICAL TESTS AND DEMONSTRATIONS | |||
| 34 - 35 Dirty Vs. Clean Power | |||
| 34 | –No Artist | Violin Recorded With "Dirty" Power | 0:24 |
| 35 | –No Artist | Violin Recorded With "Clean" Power | 0:24 |
| 36 - 37 Digital Vs. Analog Tape | |||
| 36 | –No Artist | 20-bit, All Digital Recording | 0:44 |
| 37 | –No Artist | 20-bit Recording Made From Analog Tape | 0:44 |
| 38 | –No Artist | Equipment And Cable Burn-In Signal | 1:07 |
| 39 | –No Artist | Volume Level Warning | 0:09 |
| 40 - 41 16 Bit Vs. 20 Bit A/D | |||
| 40 | –No Artist | Music At -30dB Into 16 Bit System | 0:45 |
| 41 | –No Artist | Music At -30dB Into 20 Bit With High Resolution Dither | 0:41 |
| 42 - 44 Fade To Noise (Low Level Resolution) Tests | |||
| 42 | –No Artist | Fade To Noise, No Dither | 0:19 |
| 43 | –No Artist | Fade To Noise, Flat Dither | 0:30 |
| 44 | –No Artist | Fade To Noise, High Resolution Dither | 0:30 |
| 45 | –No Artist | Volume Level Warning | 0:06 |
Companies, etc.
- Manufactured By – Chesky Records
- Distributed By – Chesky Records
- Copyright (c) – Chesky Records
- Pressed By – DADC AUSTRIA
- Edited At – Digital Domain, NYC
- Mastered At – Digital Domain, NYC
Credits
- A&R – Steve Kaiser
- Cover [Illustration] – Ross Hudson
- Edited By [Performances] – A.T. Michael MacDonald, Jeremy Kipnis, Miguel Kertsman
- Edited By, Mastered By, Liner Notes, Script By [Demonstration Script] – Bob Katz
- Engineer [Assistant] – David Windmuller, Jeremy Kipnis, Peter Cho, Suzanne Hollander
- Engineer [Mastersound] – David Merrill
- Executive Producer – Norman Chesky
- Producer – David Chesky
- Producer [Assistant] – Steve Guttenberg
- Producer [Audio Demonstrations] – Bob Katz, Steve Guttenberg
- Product Manager [Project] – Roy Spangenthal
- Recorded By – Bob Katz (tracks: 1 to 3, 5 to 45), Jeremy Kipnis (tracks: 4)
Notes
Recorded using the 128x oversampling A to D Mark III and Mark IV converters with ultra analog modules and vacuum tube equipment built by George Kaye. Track 9 is recorded using new 20-bit high-resolution technology.Issued with an 24-page booklet, in English and German.
Barcode and Other Identifiers
- Barcode: 0 90368 01112 1
- Matrix / Runout: [DADC Austria logo] JD111 24
- Matrix / Runout (into the matrix ring): C1
- Mould SID Code: IFPI 94G6
- SPARS Code: DDD
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