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J.J. Cale - Anyway The Wind Blows - The Anthology download mp3 flac


Performer: J.J. Cale
Genre: Rock / Blues
Album: Anyway The Wind Blows - The Anthology
Released: 1997
Style: Country Blues, Country Rock
MP3 version ZIP size: 1229 mb
FLAC version RAR size: 1258 mb
WMA version ZIP size: 1159 mb
Rating: 4.5
Votes: 768
Other Formats: VOC AIFF VOX MIDI WAV AAC DXD


Tracklist Hide Credits

1-1 Call Me The Breeze 2:35
1-2 Crazy Mama 2:22
1-3 Magnolia 3:23
1-4 After Midnight 2:23
1-5 Lies 2:56
1-6 Changes 2:25
1-7 If You're Ever In Oklahoma 2:04
1-8 Midnight In Memphis (Previously Unreleased) 4:24
1-9 Cajun Moon 2:12
1-10 Rock And Roll Records 2:07
1-11 Anyway The Wind Blows 3:23
1-12 Crying 2:36
1-13 Everlovin' Woman 2:10
1-14 I Got The Same Old Blues 3:00
1-15 Woke Up This Morning (Previously Unreleased) 3:27
1-16 Cocaine 2:48
1-17 The Woman That Got Away 2:52
1-18 Ride Me High 3:34
1-19 Hey Baby 3:11
1-20 Durango (Previously Unreleased) 5:20
1-21 I'll Make Love To You Anytime 3:12
1-22 Don't Cry Sister 2:13
1-23 Thirteen Days 2:49
1-24 Things Ain't Simple (Previously Unreleased) 2:48
1-25 Sensitive Kind 5:09
2-1 Carry On 2:18
2-2 Runaround 2:41
2-3 Mama Don't
Arranged By – J.J. Cale
3:48
2-4 City Girls 2:49
2-5 Devil In Disguise 2:01
2-6 You Keep Me Hangin' On 3:26
2-7 Downtown L.A. 2:25
2-8 A Thing Going On 2:38
2-9 Don't Wait
Written-By – Christine Lakeland, J.J. Cale
3:09
2-10 Wish I Had Me A Dollar [Live] (Previously Unreleased) 3:05
2-11 Money Talks
Written-By – Christine Lakeland, J.J. Cale
4:19
2-12 Hard Times 3:55
2-13 People Lie 2:11
2-14 Unemployment 4:09
2-15 Trouble In The City 3:22
2-16 Santa Cruz (Previously Unreleased) 4:40
2-17 Shanghaid
Written-By – Audie Ashworth, J.J. Cale
2:33
2-18 Change Your Mind 2:25
2-19 New Orleans 2:32
2-20 Humdinger 3:23
2-21 Lonesome Train 3:09
2-22 Jailer 2:50
2-23 Artificial Paradise 4:02
2-24 Long Way Home 2:50
2-25 Closer To You 2:46

Companies, etc.

  • Phonographic Copyright (p) – PolyGram International Music B.V.
  • Copyright (c) – PolyGram International Music B.V.
  • Manufactured By – PMDC, Germany

Credits

  • Accordion – Garth Hudson
  • Acoustic Bass – Joe Zinkan, Larry Taylor
  • Arranged By [Horns] – Al Capps, George Tidwell, Bob Holmes*
  • Arranged By [Strings] – Al Capps, Cam Mullins
  • Artwork – Wherefore Art?
  • Backing Vocals – Christine Lakeland, Diane Davidson*, Gary Paxton, Hoyt Axton, Joanne Sweeney, Leslie Taylor, Marilyn Davis, Sherry Porter
  • Bass – Bill Raffenspeger*, Billy Cox, Bob Moore, Bob Ray , Carl Radle, Carol Kaye, Charles Dungey, David Hood, Emory Gordy*, Gary Gilmore , Joe Osborn, Michael Rhodes, Mike Leech, Nick Rather, Norbert Putnam, Tim Drummond, Tommy Cogbill
  • Cello – Nancy Stein*
  • Co-producer – Audie Ashworth (tracks: 1-20 to 2-16), J.J. Cale (tracks: 1-20 to 2-16)
  • Compilation Producer – Bas Hartong, Bill Levenson
  • Compilation Producer [In Association] – Audie Ashworth, J.J. Cale
  • Congas – Farrell Morris, James Nichols , Jimmy Karstein, Robert "Tarp" Tarrant*
  • Coordinator [Project Coordinaton] – Jackie Stansfield, Terri Tierney
  • Drums – Ace Tone Rhythm Machine, Bill Boatman, Buddy Harmon*, Chuck Browning, Farrell Morris, George Soule, Hal Blaine, Hayward Bishop, James Cruce, James Mitthauer*, Jim Keltner, Jim Karstein*, Karl Himmel, Ken Buttrey*, Kenny Malone, Roger Hawkins, Russ Kunkel, Terry Perkins
  • Electric Guitar – Chuck Browning, Don Preston , Gordon Payne, Gordon Shryock, Grady Martin, Harold Bradley, James Burton, Reggie Young, Richard Thompson, Steve Gibson, Tommy Cogbill
  • Electric Guitar, Acoustic Guitar, Rhythm Guitar, Guitar [Gut String], Slide Guitar, Lead Guitar, Piano, Organ, Synthesizer, Bass, Drums, Vocals – J.J. Cale
  • Electric Piano – Barry Beckett, Beegie Cruzer, David Briggs , Pig Robbins*, Larry Bell, Leon Russell
  • Engineer [Recording] – Audie Ashworth, Brett Newman, Chad Hailey, Charlie Paakari*, Chip Young, Christine Lakeland, David Johnson , Duane Seykora, Gene Eichelberger, Hugh Davies , J.J. Cale, Jimmy Tarbutton*, Jerry Masters, Jim Williamson, Joe Mills, Les Ladd, Paul Brown, Paul McManus, Rail Jon Roguit*, Rick Horton, Ron Reynolds, Ronnie Light*, Stan Hutto, Steve Ripley
  • Executive-Producer – Matthieu Lauriot-Prèvost*
  • Fiddle – Bill Boatman, Buddy Spiker*, Shorty Lavender, Vasser Clements*
  • Harmonica – Charlie McCoy, Ed Colis, Terry McMillian*
  • Liner Notes [Essay] – Colin Escott
  • Mandolin – Bill Kenner
  • Mastered By – Denny Purcell, Gary Mayo
  • Mixed By – Audie Ashworth, David Johnson , Gene Eichelberger, Hugh Davies , J.J. Cale, J.R. McNeely, Jimmy Tarbutton*, Jerry Masters, Jim Williamson, Joe Mills, Les Ladd, Paul Brown, Rick Horton, Ron Reynolds, Ronnie Light*, Stan Hutto
  • Organ – Bobby Emmons, Christine Lakeland, David Briggs , Jim Keltner, Kossie Gardner*, Spooner Oldham
  • Other [Project Assistance] – Catherine Ladis, Donna Fetchko, Eileen Cleary, Matthew Tilley
  • Percussion – Farrell Morris, J.I. Allison*, Jim Keltner, Jim Karstein*, Karl Himmel
  • Photography By – James R. Minchin III*
  • Piano – Barry Beckett, Bill Payne, Bill Purcell*, Bob Wilson, Bobby Emmons, Bobby Woods*, David Briggs , Glen D. Hardin*, Pig Robbins*, Jerry Smith , Jerry Whitehurst, John Galley, Tony Migliori*
  • Producer – Audie Ashworth (tracks: 1-1 to 1-19), J.J. Cale (tracks: 2-17 to 2-25)
  • Resonator Guitar [Dobro] – Josh Graves, Walter Haynes
  • Rhythm Guitar – Bill Boatman, Christine Lakeland, Harold Bradley, Jimmy Capps, Jimmy Johnson , John Christopher*, Mac Gayden, Paul Davis , Ray Edentown*, Reggie Young, Steve Ripley, Tommy Tedesco
  • Saxophone – Billy Puett, Dennis Solee*, Norm Ray
  • Slide Guitar – Mac Gayden
  • Steel Drums – Robert Greenidge
  • Steel Guitar – Buddy Emmons, Lloyd Green, Weldon Myrick
  • Synthesizer – Mike Lawler
  • Trombone – Bill Humble, Dennis Goode*, George Bohanon, Terry Williams
  • Trumpet – Bob Phillips, Don Sheffield, George Tidwell, Steve Madaio
  • Vibraphone – Farrell Morris
  • Viola – Marcy Dicterow-Vaj*
  • Violin – Carl Gorodetzy*, Doug Atwell, Marv Chantry*, Roy Christensen, Shelly Kurland*, Sid Page
  • Written-By – J.J. Cale (tracks: 1-1 to 2-2, 2-4 to 2-8, 2-10, 2-12 to 2-16, 2-18 to 2-25)

Notes

No individual track credits are indicated in liner notes, save for production & writing.

28-page Booklet w. liner notes, photos, essay.
From booklet:
"Tracks 1-1 to 1-4 from NATURALLY.
Tracks 1-5 to 1-7 from REALLY.
Tracks 1-9 to 1-14 from OKIE.
Tracks 1-16 to 1-19 from TROUBADOUR.
Tracks 1-21, 1-22, 1-23, 1-25 from "5".
Tracks 2-1 to 2-3 from SHADES.
Tracks 2-4 to 2-9 from GRASSHOPPER.
Tracks 2-11 to 2-15 from "#8".
Tracks 2-16 to 2-20 from TRAVEL-LOG.
Tracks 2-21 to 2-23 from NUMBER 10.
Tracks 2-24 & 2-25 from CLOSER TO YOU. -
Previously unreleased tracks:
1-8 (recorded during the Really sessions),
1-15 (recorded during the Okie sessions),
1-20 (recorded during the Troubadour sessions),
1-24 (recorded during the "5" sessions),
2-10 (recorded live at the Belly Up Club, Solana, California in 1981),
2-16 (recorded during the #8 sessions)."

Mastered by Danny Purcell at Georgetown Mastering, Nashville, Tennessee and Gary Mayo at PolyGram Studios

Special thanks - Chris Ancliff, Barry Barnes, Paul Hussey, Margery Greenspan, Craig Benson, Mike Kappus, David Munns and Jerry Rappaport.

All songs published by Audigram Songs, Inc. (BMI) except Tracks 1-01 to 1-03, 1-06 published by Johnny Bienstock Music (BMI), Track 1-04 published by Warner/Tamerlane Publishing Co. (BMI), Tracks 2-17, 2-18, 2-20, 2-21, 2-24, 2-25 published by J.J. Cale Music (BMI) and Track 2-19 published by B.B. Gunn Music (BMI)

CDs "Made in Germany by PMDC".

On CD1: "This compilation ℗ 1997 PolyGram International Music B.V.© 1997 PolyGram International Music B.V. All rights reserved. Unauthorized copying, hiring, lending, public performance and broadcasting of this recording prohibited BIEM/MCPS set No. 532 901-2. CD1. 532 902-2.
On CD2: [...] BIEM/MCPS set No. 532 901-2. CD2. 532 903-2".

Barcode and Other Identifiers

  • Barcode (Scanned): 731453290129
  • Barcode (Printed): 7 31453 29012 9
  • Label Code: LC 0268
  • Rights Society: BIEM/MCPS
  • Matrix / Runout (CD 1): 532 902-2 01
  • Matrix / Runout (CD 2): 532 903-2 01
  • Other ([Serial # Disc 1]): 532 902-2
  • Other ([Serial # Disc 2]): 532 903-2
  • ASIN: B000001EO9
  • Distribution Code: PY 926

Other versions

Category Artist Title (Format) Label Category Country Year
532 901-2 J.J. Cale Anyway The Wind Blows - The Anthology ‎(2xCD, Comp) Mercury 532 901-2 Canada 1997
532 901-2 J.J. Cale Anyway The Wind Blows - The Anthology ‎(2xCD, Comp, Unofficial) Mercury 532 901-2 Russia Unknown
314 532 901-2 J.J. Cale Anyway The Wind Blows - The Anthology ‎(2xCD, Comp, Club) Mercury, Chronicles 314 532 901-2 US 1997
532 901-2 J.J. Cale Anyway The Wind Blows - The Anthology ‎(2xCD, Comp, Unofficial) Mercury 532 901-2 Bulgaria Unknown
532 901-2 J.J. Cale Anyway The Wind Blows - The Anthology ‎(2xCD, Comp, RP) Mercury 532 901-2 UK & Europe Unknown

Undeyn
Lovely compilation !Does anyone know where this track called durango comes from?It sounds like a "steely dan-do it again" retake.I can't find anything about it.Even if you know some good interview or documentaries about the man I'll be really that you share it.

Wenes
Worth it for the brilliant music and the wonderful essay by Colin Escott.

Efmprof
Trying to find people J.J. Cale has not influenced would be much easier then trying to name those he has. J.J. Cale shuns the spotlight and seems to have made a concerted effort to remain a cult figure for more the forty years. His music may best be described as the “Tulsa Sound” ... which is a mix of Country, Blues, and Rockabilly. He’s been working on variations of this theme since day one, he manages to pick up and add something fresh with each outing.His music is very warm, like a summer night with the sounds of crickets and fireflies filling the air. His groove is infectious to say the least, very casual and easy to dig. You will find nothing pretentious or overbearing, just some of the smoothest, cleanest, thoughtful, toe tapping music you will ever hear.This is THE album to get by Mr. Cale, you don’t need another [except for ‘Naturally’ which is a historical piece everyone should have, especially on vinyl], everything you want is right here, and what an amazing job they did when releasing these two discs ... if anything, they gave us too much material, but that’s never a bad decision now is it. Nothing seems to have been lost in processing this music of compact disc, great lengths were gone to to preserve the integrity of J.J. Cale’s music, sound, and attitude. There are a couple of live tracks that feel really wonderful and fit with this release without seeming like filler. I remember speaking with him in a hot bar in Kentucky. I didn’t even know he was JJ Cale, he just had some great stories to tell and I was willing to listen. He took his leave by saying that he had to get himself to work, which consisted of walking up on stage, playing some solo material and then being joined by his band. The show was hot, the air was hotter, I was sweating, but I tell you truly ... when the show was over, as the place was closing down and I was walking to my car, JJ walked over, shook my hand, thanked me for the words and said, ‘You be safe now.’ I was returning to Vietnam …Review by Jenell Kesler