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Crawling With Tarts Noise Experimental 1995 US

Performer: Crawling With Tarts
Genre: Electronic
Album: Sarajevo Center Metal Doors
Released: 1995
Style: Noise, Experimental
MP3 version ZIP size: 1780 mb
FLAC version RAR size: 1992 mb
WMA version ZIP size: 1353 mb
Rating: 4.6
Votes: 461
Other Formats: VOC AC3 MOD ASF DXD AU ADX

Free Download Crawling With Tarts - Sarajevo Center Metal Doors

Crawling With Tarts - Sarajevo Center Metal Doors
MP3 version .RAR archive

1780 downloads at 17 mb/s

Crawling With Tarts - Sarajevo Center Metal Doors
FLAC version .RAR archive

1992 downloads at 13 mb/s

Crawling With Tarts - Sarajevo Center Metal Doors
WMA version .RAR archive

1353 downloads at 14 mb/s

Tracklist Hide Credits

1	1-8 Ideomotors Performer [Clay Cups, Door Harp, Mountain Cup, Radio Grill, Tin Hoop On Brass Rod, Paw Chase, Truck-flattened Disk, Vent Bezel, Kinked Wire, Basket With Sheet Metal Can, Sawblades, Window Weights, 2x4 Marimba Bars], Claves – Suzanne Dycus-GendreauPerformer [Doughnut Mold And Steel Ball, Helical Steel Strap, Tiny Membranophone And Wire, Tube Roll On Drum, Tube Drum, Tin Disk On Stick, Lamp Shade And Insulator, Sawblades, Window Weights, 2x4 Marimba Bars] – Michael GendreauPerformer [Truck-flattened Disk, Ash Try Filter, Rock And Bolt, Funnel And Threaded Rod, Propellor And Paper, Peacock Harp, Spring And Insulator, Bamboo Washer, Sawblades, Window Weights, Palm Frond] – Ed Osborn	19:52
2	Motors Performer [Motors, Metals, Wood, Strings, Radio, Game Board] – Michael Gendreau, Suzanne Dycus-Gendreau	9:13
3	Sarajevo Center Metal Doors Bass Trombone, Harmonica, Performer [Nose And Throat, Tennis Ball, Gourd, Foot, Stones] – Eric BergkvistViolin, Accordion [Squeezebox], Performer [Bread Pan And Rubble], Tin Whistle – Catharine CluneWhistle [Interference], Turntables [Victrola], Performer [Pans, Fish Bowls, Chalices, Box Of Pottery Chips, Saw Blades, Flattened Tins], Cowbell – Suzanne Dycus-GendreauWhistle, Performer [Corrugated Tubes, Grill, Pastry Molds, Vent Screen Retainer, Tiny Membranophone, Saw Blades, Water Bottle, Pottery Chips, Prayer Stones, Beans, Bolt + Funnel, Stryofoam], Clarinet, Cymbal – Michael Gendreau	36:58

Credits

Composed By – Michael Gendreau, Suzanne Dycus-Gendreau
Recorded By, Producer, Edited By, Liner Notes [Program Notes] – Michael Gendreau

Notes

Track 1 recorded at Center For Contemporary Music, Oakland, California on November 24, 1991.
Track 2 recorded at Center For Contemporary Music, Oakland, California on March 3, 1992.
Track 3 recorded at Mills College Concert Hall on February 17, 1992.

Barcode and Other Identifiers

Mould SID Code: IFPI 6100
Matrix / Runout: L384 RZD019 B50206-08

Aloo

My CD player has had some real trouble playing this. Must be something to do with the opening title track being around the length of a CD ident - which is around 4 or 5 seconds I believe. Maybe they shaved it too close, who knows. The remaining two pieces don't hurry themselves through their junk-yard journey. And it could possibly be this sense of easy confidence that makes the difference between noise and art. CRAWLING WITH TARTS, who feel they have proved themselves musicians with one relatively commercial single, now feel they can indulge themselves in the extreme outer limits of experimentalism. And whether it's down to personal mood or not, I somehow feel that they've got it spot on this time. They scape and grind and hum through a jagged landscape of coils, springs, corregated noises, lathes, metal sheets and all manner of post-Industrial detritus. And where it could itself be grating, there's a certain madhouse charm to it's explorations.Violin, brass and take the place of the metal for a while, combining and clashing in a minimalist journey. This is an album full of lows and highs. I was sent two copies, neither of which seemed to play that well, so be warned. I guess this is Jazz, taken to extremes, with 'found instruments' and noises as the forefront instruments. Originally reviewed for Metamorphic Journeyman.

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