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Jimi Tenor - Year Of The Apocalypse download mp3 flac


Performer: Jimi Tenor
Genre: Electronic
Album: Year Of The Apocalypse
Released: 1999
Style: Future Jazz, Experimental
MP3 version ZIP size: 1146 mb
FLAC version RAR size: 1202 mb
WMA version ZIP size: 1514 mb
Rating: 4.7
Votes: 200
Other Formats: TTA FLAC MIDI MMF AIFF APE DMF

Free Download Jimi Tenor - Year Of The Apocalypse

Jimi Tenor - Year Of The Apocalypse
MP3 version .RAR archive

1146 downloads at 17 mb/s
Jimi Tenor - Year Of The Apocalypse
FLAC version .RAR archive

1202 downloads at 13 mb/s
Jimi Tenor - Year Of The Apocalypse
WMA version .RAR archive

1514 downloads at 14 mb/s

Tracklist Hide Credits

1 Year Of The Apocalypse (Maurice Club Mix)
Remix – Maurice Fulton
6:56
2 Year Of The Apocalypse (Album Mix) 6:55
3 Love And Work 3:22

Companies, etc.

  • Phonographic Copyright (p) – Warp Records Limited
  • Copyright (c) – Warp Records Limited
  • Published By – Warp Music
  • Published By – EMI Music

Credits

  • Painting – Jimi Tenor
  • Sleeve – TG
  • Written-By, Producer, Performer – Jimi Tenor

Notes

Made in England

Barcode and Other Identifiers

  • Barcode: 5021603116023
  • Label Code: LC02070
  • Matrix / Runout: WAP116CD . MASTERED BY DOCDATA
  • Mastering SID Code: IFPI LA31
  • Mould SID Code: ifpi 4B07

Other versions

Category Artist Title (Format) Label Category Country Year
WAP 116 Jimi Tenor Year Of The Apocalypse ‎(12") Warp Records WAP 116 UK 1999
WAP 116 RP Jimi Tenor Year Of The Apocalypse ‎(12", Promo) Warp Records WAP 116 RP UK 1999
WAP 116 P Jimi Tenor Year Of The Apocalypse ‎(12", Promo) Warp Records WAP 116 P UK 1999
RTD 199.3592.3 Jimi Tenor Year Of The Apocalypse ‎(CD, Maxi) Zomba Records RTD 199.3592.3 Germany 1999
VISA 4626 Jimi Tenor Year Of The Apocalypse ‎(CD, Single, Promo) Warp Records VISA 4626 France 1999

Kieel
What is interesting here is the Maurice Fulton remix, which could be described - oh my God - as deep electrogothicgarage ! It's a sort of milestone in Maurice Fulton's remixer/producer works, a farewell to Basement Boys years as well as a welcome to the electro/experimental touch which describes him today. Combining UK garage innuendos (listen to the sub-bass !), deep house textures and bits of raw electro beats with the strange vocals which sound REALLY gothic (especially the women choir), he creates a housey UFO, to be reserved for discerning dancefloors ... New Jersey meets Hammer movies, definitely a classic for me !