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Haim - Days Are Gone download mp3 flac

Haim Indie Rock 2013 Europe

Performer: Haim
Genre: Rock / Pop
Album: Days Are Gone
Released: 2013
Style: Indie Rock
MP3 version ZIP size: 1404 mb
FLAC version RAR size: 1157 mb
WMA version ZIP size: 1847 mb
Rating: 4.3
Votes: 963
Other Formats: TTA AAC MOD VOC MP2 WMA VOX

Free Download Haim - Days Are Gone

Haim - Days Are Gone
MP3 version .RAR archive

1404 downloads at 17 mb/s

Haim - Days Are Gone
FLAC version .RAR archive

1157 downloads at 13 mb/s

Haim - Days Are Gone
WMA version .RAR archive

1847 downloads at 14 mb/s

Tracklist Hide Credits

1	Falling Bass, Percussion, Vocals – Este HaimClavinet, Electric Piano [Rhodes] – Will CanzoneriGuitar, Piano, Synthesizer, Percussion, Vocals – Alana HaimGuitar, Vocals, Drums, Percussion – Danielle HaimSynthesizer, Programmed By, Guitar, Backing Vocals – Ariel Rechtshaid
2	Forever Bass, Vocals – Este HaimGuitar, Keyboards, Synthesizer, Vocals – Alana HaimGuitar, Vocals, Percussion, Drums – Danielle Haim
3	The Wire Backing Vocals, Programmed By, Synthesizer – Ariel RechtshaidBass, Vocals – Este HaimGuitar, Vocals, Drums – Danielle HaimSynthesizer, Vocals – Alana Haim
4	If I Could Change Your Mind Bass, Vocals – Este HaimGuitar, Synthesizer, Vocals – Alana HaimGuitar, Vocals, Drums – Danielle HaimKeyboards, Percussion – James Ford
5	Honey & I Bass, Vocals – Este HaimDrums [Simmons], Synthesizer – Ariel RechtshaidGuitar, Vocals – Alana HaimGuitar, Vocals, Percussion, Drums – Danielle Haim
6	Don't Save Me Bass, Percussion, Vocals – Este HaimGuitar, Keyboards, Percussion, Vocals – Alana HaimGuitar, Vocals, Drums, Percussion – Danielle HaimPercussion, Guitar – James Ford
7	Days Are Gone Backing Vocals, Programmed By, Synthesizer – Ariel RechtshaidBass, Vocals – Este HaimGuitar, Piano, Synthesizer, Vocals – Alana HaimGuitar, Vocals, Drums – Danielle HaimKeyboards [Additional] – Jamie Muhoberac
8	My Song 5 Bass, Vocals – Este HaimGuitar, Keyboards, Synthesizer, Vocals – Alana HaimGuitar, Vocals, Drums – Danielle HaimProgrammed By, Electric Piano [Rhodes], Synthesizer – Ariel Rechtshaid
9	Go Slow Bass, Vocals – Este HaimGuitar, Keyboards, Synthesizer, Vocals – Alana HaimGuitar, Vocals, Percussion, Drums – Danielle Haim
10	Let Me Go Bass, Vocals – Este HaimGuitar, Keyboards, Vocals – Alana HaimGuitar, Vocals, Drums – Danielle HaimMbira, Noises – Ariel Rechtshaid
11	Running If You Call My Name Bass, Vocals – Este HaimDrums [Simons], Synthesizer – Ariel RechtshaidGuitar, Piano, Vocals – Alana HaimGuitar, Vocals, Drums – Danielle HaimPedal Steel Guitar – Greg Leisz

Companies, etc.

Phonographic Copyright (p) – Haim Productions Inc.
Copyright (c) – Haim Productions Inc.
Licensed To – Polydor Records Ltd.
Published By – Haim Productions Inc.
Published By – Goldmeyn Music
Published By – Universal Publishing
Published By – Lion Of God
Mixed At – The Mix Suite
Mixed At – Electric Lady Studios
Mixed At – Larrabee Sound Studios
Mixed At – Eldorado Recording Studios
Mixed At – Stereoblue Studios
Mastered At – The Lodge, New York
Recorded At – Sunset Sound
Recorded At – Heavy Duty Studios
Recorded At – Sear Sound
Recorded At – Downtown Music Studios
Recorded At – Hyperion Sound
Recorded At – Vox Recording Studios
Recorded At – The Bank
Recorded At – The Premises Studio (London)
Recorded At – Box Studios, NYC
Designed At – Big Active

Credits

Design – Marek Polewski
Engineer – Chris Kasych (tracks: 5), David Schiffman (tracks: 1, 3, 5, 7, 8, 10, 11), Jimmy Robertson (tracks: 4), Martin Cooke (tracks: 5), Morgan Stratton (tracks: 6), Nicolas Fournier (tracks: 5)
Engineer [Additional] – Nick Rowe (tracks: 1 to 3, 5, 7 to 11)
Engineer [Assisted By] – Bo Hill (tracks: 5)
Lyrics By [Additional] – Morgan Nagler (tracks: 1)
Mastered By – Emily Lazar
Mastered By [Assisted By] – Rich Morales
Mixed By – Heiko Huebschmann (tracks: 9), Manny Marroquin (tracks: 8), Rich Costey (tracks: 5), Spike (tracks: 2 to 4, 7, 10, 11), Tom Elmhirst (tracks: 1, 6)
Mixed By [Assisted By] – Ben Baptie (tracks: 1, 6), Chris Galland (tracks: 8), Dave Emery (tracks: 2 to 4, 7, 10, 11), Delbert Bowers (tracks: 8), Geoff Swan (tracks: 2 to 4, 7, 10, 11)
Photography By – Pierre Auroux, Tom Beard
Producer – James Ford (tracks: 4, 6), Ludwig Goransson (tracks: 2, 9)
Producer [Additional], Engineer [Additional] – Ariel Rechtshaid (tracks: 2, 9)
Producer, Engineer – Ariel Rechtshaid (tracks: 1, 3, 5, 7, 8, 10, 11)
Written-By – Ariel Rechtshaid (tracks: 8, 11), James Ford (tracks: 4), Jessie Ware (tracks: 7), Kid Harpoon (tracks: 7)
Written-By, Producer – Alana Haim, Danielle Haim, Este Haim

Barcode and Other Identifiers

Barcode: 00602537508143
Rights Society: BIEM
Rights Society: SDRM
Label Code: LC00309
Matrix / Runout: 06025 375 081-4 01 + 53337976 MADE IN GERMANY BY EDC B
Mastering SID Code: IFPI LV27
Mould SID Code: IFPI 0158

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
3752444	Haim	Days Are Gone ‎(2x12", Album)	Polydor	3752444	Europe	2013
none	Haim	Days Are Gone ‎(11xFile, AAC, Album, 256)	Columbia	none	2013
UICP-1159	Haim	Days Are Gone ‎(CD, Album)	Polydor	UICP-1159	Japan	2013
3750943	Haim	Days Are Gone ‎(2xCD, Album, Car)	Polydor	3750943	Europe	2013
C-377097	Haim	Days Are Gone ‎(2x12", Album)	Columbia	C-377097	US	2013

Swiang

I contacted the band's TWO labels (Universal and Sony) and the company that mastered the album, The Lodge in New York City.Only the The Lodge would talk to me, and only after several attempts.I spoke to Rich Morales, credited on the album as being Emily Lazar's mastering assistant. I asked if he was happy that The Lodge gave the band such a terribly mastered album and he seemed defensive, that perhaps it wasn't terrible. I told him it was a terrible and unreleasable mastering job. He replied that regardless, the band approved it. Well, if Haim approved this mastering effort, one has to wonder WHY?This album would be getting more plays by me but I simply cannot get through the whole album with the constant distortion I hear from it. It's truly UNLISTENABLE. And if anybody suggests it's "subjective", as Rich essentially did, I'd be compelled to tell them that it's NOT subjective.It's simply one of the WORST MASTERED ALBUMS IN RECENT MEMORY.

White_Nigga

Amen. The distortion is terrible. I never listen to it. And that's to bad. Cause the music is good.

Tygokasa

It is mastered horribly, I agree. However, the iTunes version actually sounds totally fine. Way quieter and no distortion.

Ndyardin

I just listened to the free version of a song I got via Starbucks, of all places. A digital version. I thought "This must be an el-cheapo mp3 version, it can't sound this way on the album." I went to iTunes, and sure enough – they ALL sounded completely crappy and distorted! I found this string because I was searching via Google with the question "Why does the Haim album sound so horrible?" Seriously!? I'm happy to hear it sounds better on vinyl, but still, this is completely unacceptable for a mix!

BORZOTA

Did they (haim) really approve it? lol or were they forced to approve it...remember record companys have strict release dates and time durations in which a band has to adhere to. Mr record company boss man could have said...''for everyday u stall the release date u'll be reminiscing on when u had a big bank balance, like your album....those...'days are gone' welcome to breach of contract'' lol

Malaunitly

I have the vinyl version now and umm how to describe it....Am i impressed and over joyed ermm no. Am I happy....Yes :) compared to the cd version. It is 100% much clearer in sound quality and doesn't distort, so im pretty sure they did make some sort of effort with the mastering on this. Still has a few issues. If u have heard the Cd ull notice that alot of the frequencys (mainly bass) have been raised sounding slighty unbalanced and not real. This is still similar on the vinyl release its defo been ''pro tooled up'', but being vinyl it can reproduce the frequencys smoothly thus sounding less of a mess. To put it simply its worth getting but isnt as good as the ''national anthem releases'' for quality of sound. 7/10 for the vinyl compared to the cd version sound quality which be around 1/10. Overall extremely clear, loud and a very thick vinyl, im assuming 180g all helps. Hope that helps

Madis

Couldn't agree more, DjKidCorruption and fedge! I really enjoy the album musically, but the mastering really ruins it for me. It sounds bloated and brickwalled. @fedge The reason why the youtube-video sounds better is because it uses the EP-version of forever, not the album-version. @DjKidCorruption Did you get a chance to listen to the vinyl-version yet? I would love to know, if it sounds any better! Couldn't find anything on the web about it. Please let me know. Thinking about selling my CD and getting the record. Thanks!!

Qutalan

i dont understand the hype - live they are fun, but the album is so boring,

Daiktilar

Really? What is so boring in there? In my opinion the lyrics and those catchy melodies just hit the spot.

digytal soul

DjKidCorruption is 100% correct! For example, the YouTube video mix of Forever is properly mastered while the CD version is distorted and over-modulated from start to finish. WHY DOES THE YOUTUBE VIDEO SOUND BETTER THAN THE COMPACT DISC?View the evidence here:http://s21.postimg.org/ptbmg4hqf/1370416_166509173548034_1310206514_n.jpg

Winotterin

WTF have polydor done to these ladies sound quality (cd version)? Seriouslyyyyyyy the people who mastered this have ruined the songs from what is actually a good album. What a bunch of arseholes! I've always like haim so have been investing in a few of thier vinyl Ep's which were generally mastered via ''national anthem'' peeps and sound alot more balanced and well REAL. This cd version is terrible, they increased the bass like its a dubstep cd and made what meant to sound like a real band into something that sounds like its made on logic or pro tools. Very disappointed. I hope the vinyl version which ill get soon isn't mastered in the same loudness factor fashion.

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