Robert Curgenven and Richard Chartier has formed a momentous project to create a magnetic album. Both authors are notable in the academic scene and carrying some weighty achievements in music and visual art. Richard is a minimalism movement musician, sound artist and desinger, also co-founder of the respectable LINE records. Over decade he has released over 30 solo records on labels such as Fällt, Raster-Noton, Room40, Spekk, 12k. Cooperating with the well known musicians such as Taylor Deupree, William Basinski and Kim Cascone, Richard shows his flexibility and equivalent energy. His visual and sound instalations were exhibited across the globe including CC (Tokyo, Japan), Castello di Rivoli (Torino, Italy), the Art Institute of Chicago, The Contemporary Museum (Baltimore, US). The other man in this collaboration is Richard Chartier, Australian born classically trained organist, sound sculptor and composer who explores microsound. Robert has presented audiovisual, sculpture works in exhibitions at Transmediale (Berlin), 10 Years of Microsound (Diapason Gallery, New York) and many more worldwide galleries. He has a couple of releases on his own imprint Recorded Fields, LINE, also his compositions appear on such labels compilations as Gruenrekorder, Futuresequence. These two honorable men are worth to be listened attentively.“Built Through” is an aesthetic album that consists of four tranquil compositions. Almost one hour of sensibly developing sounding trajectories will guide the listener through latent and flowing ambience. The Chartier’s idealogy about the relationship between sound, silence, focus and the act of listening in this masterwork is completely implemented. Accurate micro processing gently controls the static atmospheres cluster and doesn’t let them to get dull. Subtle oscillating extremely low tones and stimulating dense noise in the lower background expand the depth and listening range of the compositions. By carefully including skilfully shaped sine wave layers a sublime musical architecture is being extracted. Thoughtful and frequent resonanse and volume level imbalance between sounds enrich the music color palette. Variable sound devices effects and live-recordings in the upper layer convert entirety into a valuable model how the intellectual music should be fully designed.“Built Through” is like a picturesque galaxies collision somewhere in a distant corner of the universe; it collides so gracefully that creates more bigger and richer cosmic infrastructure.