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Edward Artemyev - Solaris, The Mirror, Stalker download mp3 flac


Performer: Edward Artemyev
Genre: Electronic / Stage & Screen
Album: Solaris, The Mirror, Stalker
Released: 1990
Style: Soundtrack, Electro, Experimental, Ambient
MP3 version ZIP size: 1349 mb
FLAC version RAR size: 1875 mb
WMA version ZIP size: 1651 mb
Rating: 4.9
Votes: 788
Other Formats: ADX VQF MIDI AHX MP4 MMF AAC

Free Download Edward Artemyev - Solaris, The Mirror, Stalker

Edward Artemyev - Solaris, The Mirror, Stalker
MP3 version .RAR archive

1349 downloads at 17 mb/s
Edward Artemyev - Solaris, The Mirror, Stalker
FLAC version .RAR archive

1875 downloads at 13 mb/s
Edward Artemyev - Solaris, The Mirror, Stalker
WMA version .RAR archive

1651 downloads at 14 mb/s

Tracklist Hide Credits

1 Stalker - Theme 4:18
2 Stalker - Train 4:35
3 Solaris - Ill 4:31
4 Solaris - Station 3:21
5 Solaris - Listen To Bach (The Earth)
Written-By – Johann Sebastian Bach
3:03
6 Mirror - Exodus 6:57
7 Stalker - They Go Long 4:38
8 Solaris - Dream 6:58
9 Stalker - Meditation 5:21
10 Solaris - Ocean 11:30
11 Solaris - Picture P. Brueghel "Winter" 5:33
12 Solaris - Return... 4:45
13 Dedication To A. Tarkowsky 9:21

Companies, etc.

  • Recorded At – Studio Le Roy
  • Recorded At – Studio Moscow
  • Phonographic Copyright (p) – Torso Kino
  • Copyright (c) – Torso Kino
  • Distributed By – EFA – CD 14279-26
  • Pressed By – PDO, Germany

Credits

  • Composed By, Synthesizer [Ans] – Edward Artemyev*
  • Design [Sleeve] – Nico Arzbach
  • Layout [Typesetting] – Agema Photosetting
  • Recorded By, Mixed By – Edward Artemyev* (tracks: 3 to 5)
  • Recorded By, Mixed By, Mastered By – Mikel Le Roy (tracks: 1, 2, 6 to 13)

Notes

Music for films by Andrei Tarkovsky

Barcode and Other Identifiers

  • Barcode: 8 711315 050018
  • Barcode (Scanned): 8711315050018
  • Matrix / Runout: TORSO CD 5001 0013 131 01# MADE IN W.GERMANY BY PDO
  • Matrix / Runout (Etching): F
  • Label Code: LC 7052

Other versions

Category Artist Title (Format) Label Category Country Year
ELCD 012 Edward Artemiev* Solaris. The Mirror. Stalker ‎(CD, Album) Electroshock Records ELCD 012 Russia 1999
40444/5 Έντβαρντ Αρτέμιεφ* Σολάρις, Καθρέφτης, Στάλκερ ‎(2xLP, Comp) Music Box International 40444/5 Greece 1991
EVA2021 Edward Artemyev* Solaris, The Mirror, Stalker ‎(CD) Wave EVA2021 Japan 1990
40444/5 Έντβαρντ Αρτέμιεφ* Σολάρις, Καθρέφτης, Στάλκερ ‎(2xLP, Comp, RP) Music Box International 40444/5 Greece 1991
CD 5001, WWCX-2021 Edward Artemyev* Solaris, The Mirror, Stalker ‎(CD, Comp) Torso Kino, Eva CD 5001, WWCX-2021 Japan 1990

Gandree
RE_ISSUED! MIR100705LP in a gorgeous package & the cover pulled from the italianposter from the film 180gr vinYl. side a in 07 movements , side b in 010 movements.

Vetitc
I have maybe all versions of Tarkovskij music. Many aren't listed here. Maybe I'll do it later. Here on this releases maybe the only original track is the Meditation, the Stalker theme. All the rest were saturated and reconstructed (sometimes with digital synthesizers...) or even never applied in the movies themselves. Abolutely disappointing. For a good example: The opening Stalker Theme on the CD is nothing but a kitschy, very amatheur-made digital sounding melody track. Absolutely unmatches to the Stalker feeling but it uses the title for attentional purposes. The unforgettable train-theme where they go so long to the zone on a small train, it has a hypnotic soundtrack (originally). Well, on these records it's also reconstructed DIGITALLY. Very precisely done but absolutely bad-approach. For me, it sounds like delayed Yamaha DX-7. Baaah... How can someone be so stupid? On the top, he uses something a cheap pcm-digital sounding synth as a melody line (I think it's an Emulator-II) which was never featured in the movie Stalker. I think he wanted to make a kind of new-age/synth-music album out of it on it's own. That is good for music enthusiasts but bad for the purists who want to grab the original feeling of the Tarkovskij's movies. I like Tangerine Dream and Artemiev always had a kind of T.D. approach. Some of his soundtracks are accordingly good(Seberiada). On this album you notice some of such aproach which I personally like but the digital synth-usage what is typically a product of the 80's doesn't match to the 70's metaphisics comes from the Tarkivskij movies. Very OK, if you don't have the expectation for the originality. Artemiev has lack of stylistical sense by doing such faliures. I don't know why the hell he didn't let everything as it was originally? Oh, yeah possibly because the 1 original track/movies wouldn't make a complete album (and please don't we forget: there's only 1 soundtrack in the Stalker-movie)... Oversaturated, overcomplicated, a bit tasteless chaos is the album, not mentioning the usage of some very cheap, tasteless sonic timbres of cheap late 90's pcm synth modules. Shit. I think it all was about the money. BUUUT: Apart from it all: I LIKE the album. I was now pointing at the minuses but the album is worth to buy. It surrounds you with a touch of Tarkovskij anyway and lots of deep meditations and lots of dramatic and dreamy soundscapes. The last track is shockingly dramatic!!! (Not featured in the movies) Artemiew has an extreme sense for the dramatury and for the tragedy tough. If you are a Tarkovskij fan, it's really a must. If you love synth music, it's a remarkable new-age, touch of Berlin school, soundtrack, noise album. Everytime I watch a CCCP movie, I always recognise Artemiev's sound. But it was the 70's, and on analog synths. Great era, great music, very good approach. This CD is not quite about that era and feelings. Counterfeit of Tarkovskij soundscapes.... As bad as good but it's a must anyway.... Buy it on CD and that's it!

Dorizius
yes , if involved with the abilities of equipment and their suitable audio comparitives , well quality is the point , but any -evry -mostly mucicians are aware of this but not all at the time of producing apiece ,-by oppertunity, have the same awareness +access of use of equipment and as there are millions of us on the planet such concluded judgements are suited to your wanting of the care -concideration to be concidered when producing this is a standard of expression,-a delivarence. but most humans want the oppertunity and will use this if it puts money food or an experience in life .one last notification in this world of art which we are all aware of is -but must concider is the inventive ness of a work -or expression can only be truly agknowleged when the viewer is aware of how much the performer or artist ,-subject has seen or heard -read ,as to be aware of how much is theirs by addition. because its the temptation of modern social cultures to absorb +blindly not feel then parrot from a missunderstood STATUS PROCESSING this in sequence deduces +further more deconstructs anything to the same place .the message is dont lose you feelings they will give you more . -kenny liverpool.