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Counting Crows Alternative Rock 2017 Europe

Performer: Counting Crows
Genre: Rock
Album: Recovering The Satellites
Released: 2017
Style: Alternative Rock
MP3 version ZIP size: 1717 mb
FLAC version RAR size: 1968 mb
WMA version ZIP size: 1668 mb
Rating: 4.2
Votes: 913
Other Formats: VOC MP1 XM APE MOD MIDI AAC

Free Download Counting Crows - Recovering The Satellites

Counting Crows - Recovering The Satellites
MP3 version .RAR archive

1717 downloads at 17 mb/s

Counting Crows - Recovering The Satellites
FLAC version .RAR archive

1968 downloads at 13 mb/s

Counting Crows - Recovering The Satellites
WMA version .RAR archive

1668 downloads at 14 mb/s

Tracklist Hide Credits

A1	Catapult Music By – Adam F. Duritz, Ben Mize, Charles Gillingham, Daniel J. Vickrey, David Bryson, Matt Malley
A2	Angels Of The Silences Music By – Adam F. Duritz*, Charles Gillingham, Counting Crows
A3	Daylight Fading Arranged By [Strings] – Charles GillinghamMusic By – Charles Gillingham, Counting Crows, Daniel J. Vickrey*
A4	I'm Not Sleeping Arranged By [Strings] – Charles GillinghamMusic By – Adam F. Duritz*, Counting Crows
B1	Goodnight Elisabeth Music By – Adam F. Duritz*
B2	Children In Bloom Music By – Adam F. Duritz*
B3	Have You Seen Me Lately? Music By – Adam F. Duritz*
C1	Miller's Angels Guitar [Pedal Steel], Mandolin [Octave] – David ImmerglückMusic By – Adam F. Duritz, Daniel J. VickreyProducer – Marvin Etzione*Recorded By – David Vaught
C2	Another Horsedreamer's Blues Arranged By [Strings] – Charles GillinghamMusic By – Adam F. Duritz*
C3	Recovering The Satellites Music By – Adam F. Duritz*
D1	Monkey Music By – Adam F. Duritz*
D2	Mercury Mandolin – Marvin EtzioneMusic By – Adam F. Duritz
D3	A Long December Music By – Adam F. Duritz*
D4	Walkaways Music By – Daniel J. Vickrey*

Companies, etc.

Record Company – DGC
Phonographic Copyright (p) – Geffen Records
Copyright (c) – Geffen Records

Credits

Art Direction, Art Direction [Creative Direction] – Robin Sloane
Conductor – Paul Buckmaster
Design, Art Direction – Bill Merryfield
Drums, Tambourine, Other [Light Bulbs, Zippo Lighter], Vocals – Ben Mize
Electric Bass, Double Bass, Vocals – Matt Malley
Engineer [Assistant] – Sevon Smokes Wright
Engineer [Second Engineer] – Andy Taub, Jay Ryan , Rail Rogut, S. Husky Hoskulds
Guitar, Guitar [Dobro], Tambourine, Vocals – David Bryson
Guitar, Vocals – Dan Vickrey
Lyrics By [Words] – Adam F. Duritz*
Mastered By – Bob Ludwig
Mixed By – Mark Phythian
Organ [Hammond B-3], Piano, Mellotron, Organ [Wurlitzer], Accordion, Harmonica, Vocals – Charles Gillingham
Photography By – Chris Strother
Photography By [Cover] – Sarah Moon
Piano, Organ [Wurlitzer], Tambourine, Vocals – Adam Duritz
Producer – Gil Norton
Recorded By [Strings] – Steve Churchyard

Notes

Catalogue number 00602557097610 on labels Sides A & B, and inner sleeve
Catalogue number 00602557097627 on labels Sides C & D, and inner sleeve

Barcode and Other Identifiers

Barcode (Print): 6 02557 09760 3
Barcode (Scan): 602557097603
Matrix / Runout (Labels, sides A & B): 00602557097610
Matrix / Runout (Labels, sides C & D): 00602557097627
Matrix / Runout (Runout, side A): 18330 1A 602557097603
Matrix / Runout (Runout, side B): 18330 1B 602557097603
Matrix / Runout (Runout, side C): 18330 2C 602557097603
Matrix / Runout (Runout, side D): 18330 1D 602557097603
Rights Society: BIEM/SDRM
Label Code: LC 06406

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
DGCD-24975	Counting Crows	Recovering The Satellites ‎(CD, Album)	DGC	DGCD-24975	US	1996
DGCD-24975	Counting Crows	Recovering The Satellites ‎(CD, Album, RE)	DGC	DGCD-24975	US	Unknown
GEC 24975, DGCC-24975	Counting Crows	Recovering The Satellites ‎(Cass, Album)	Geffen Records, Geffen Records	GEC 24975, DGCC-24975	US	1996
DGCD-24975	Counting Crows	Recovering The Satellites ‎(CD, Album, RE)	DGC	DGCD-24975	US	Unknown
DGSSD-24975	Counting Crows	Recovering The Satellites ‎(CD, Album)	DGC	DGSSD-24975	Canada	1996

Flas

The US version is 33 not 45-- I received a copy for Christmas which will be returned. It is pressed off-center with very audible distortion. The vinyl surface it littered with excessive quantities of noise-- loud crackles, ticks, and pops throughout. Truly awful. The sound is brickwalled and far worse than the CD -- I own an original release of that. A lost opportunity. Maybe they will try again in a few years. It's such an excellent album with some of their strongest songwriting. It deserves better.

AGAD

My copy of RTS is EU manufactured and 45rpm which surprised me as the US reissue seem to be reporting 33 on various vinyl forums. nothing in the deadwax. Certainly not as hot and bright as my 1996 original CD which i can't listen to as it's just sounds a bit muddled and lacking a bit of low end. On first listen this reissue doesn't seam massively different, some inner groove noise though not massively intrusive. As others have also indicated, I am just happy/relieved to finally have this on vinyl and having almost pulled the trigger on a £100+ OP for years. Both are far from flat, dirty marks and fingerprints on brand new vinyl is unacceptable, The hallmarks of having been pressed at GZ Media, as a lot of BTB / Universal RE are, it's mockery that these are £25 considering the lack of quality control. Gatefold is lovely though. All things considered this is OK.

Ungall

As with below, my copy is just ok. I only listened to half so far (just the first LP), but it didn't seem to be pressed off center. Sound wise, it is certainly nothing to brag about. It sounds flat to me, very flat. I had to turn the bass up just to try and level some of the sound but it still wasn't great. I do get some groove distortion sounds at times too I believe. Happy to have this on vinyl finally, but disappointed in the sound quality. I hadn't picked up A&EA yet, and now I may not.

Pameala

Looks like another pair of classic albums in desperate need of a vinyl reissue had their collective balls dropped. Slapdash, money-grubbing pressing principles will always be a disappointment for the consumer. You'd think these idiot record labels would understand that people are going to know when they're having the oakey-doke stuck to them. I will always research an album repressing in today's age before I buy it. There is just no trusting these repressings and the production haste with which they are made.

Black_Hawk_Down

My copy sounds ok, basically. Unfortunately both "Recovering" AND "August" are pressed off center and both are making those creepy wobbling sounds. Anyone made the same experience?

Downloaded

The copy that I received is not a 45 RPM copy. I believe August and Everything After is the only one being released as limited edition 45 RPM - but also as a standard 33 LP on March 24th.

Dolid

Yeah, I heard someone else mention their "August.." pressing was also 45rpm from Europe. Really Surprised they did separate masterings, usually same mastering but different pressing plant.

Vit

Just checked and mine is 45rpm . But it's a european version number 00602557097610

Stan

Neither of these reissues are 45rpm. The 45rpm version of August and Everything After is this listing https://www.discogs.com/Counting-Crows-August-And-Everything-After/release/3963109

Milleynti

I think mine is 45rpm ...let me see when I get home. I thought it sounded fantastic.

DABY

This is a low-quality pressing, because the master tapes were lost and they used digital files, essentially making this a CD on vinyl.Thankfully, I invested in an original pressing years ago that sounds warm and lively, due to it being created with the original analog tapes. Looks like in order to hear this album in its true, golden form, you'll need to plunk down the $150 asking price for an original pressing..

Deorro

Some real scientific backing you’ve got here. Had folks not known the master tapes were lost I’m sure they’d be singing its praises here. The 90s press was nothing to write home about. Nothing in the mid-to-late 90s was. It was rare and that’s it.

Arcanescar

My original pressing is most certainly pressed from the original master tapes, because you can hear the difference night and day between it and the 2017 reissue. Record labels weren't using hi-res digital files to press records back in the mid-90s because the slipshod process utilized today wasn't even an option with technology then. Records were still properly pressed with care and attention back then because vinyl wasn't the in-demand commodity it is today.I've listened to both pressings back to back; the OG pressing is significantly warmer sounding and more spacious from a dynamic standpoint. Whereas the 2017 repress physically sounds like its sourced from a digital file.

Vareyma

Even though the original tapes existed when the record was pressed doesn't necessarily mean that it was cut from it. The original pressing could have easily been mastered from a hi-rez digital file sourced from the tape like many of todays releases. This is more common than not. I would do the research before dropping that $150 for a possibly digitally sourced original IMO.

Paxondano

Look forward to hearing updates on the sound quality? According to this interview, the 2 inch tapes were lost and all that remains are the digital tapes that they transferred to do the mix.http://www.billboard.com/articles/news/474520/counting-crows-lament-lost-album-tapes-its-disgusting

Celore

I've listened to it twice so far, and I am not impressed. Audible groove distortion begins halfway through each side and progressively gets worse. I've listened to the CD many, many times and this is a big disappointment.

Water

Is this really 45 RPM or is that just a listing error? I hope it is 45rpm!

Goll

Can you confirm that your release is absolutely 45 rpm? I am quite skeptical that there would be two different masterings of the same reissue floating around. Perhaps you could post pictures or a video somewhere. I want to believe you, but I can't find anything else on the web about a 45rpm version of this record.

Androwyn

Sorry I have the european re-release which is 45rpm. I was commenting on the wrong re-issue.

Trex

I don't know how this is such a point of confusion, wow.

Bladecliff

It is really 45rpm and sounds fantastic :D same as August and Everything after re-release.

Ucantia

Sorry to bust your bubble, I'm spinning it right now, it is definitely 33-1/3

Efmprof

Can't believe they finally re-released this :D Mine should arrive in a few days and will review the pressing.

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