» » Lou Reed - Metal Machine Music

Lou Reed - Metal Machine Music download mp3 flac


Performer: Lou Reed
Genre: Electronic / Rock
Album: Metal Machine Music
Released: 2000
Style: Noise, Experimental
MP3 version ZIP size: 1644 mb
FLAC version RAR size: 1188 mb
WMA version ZIP size: 1428 mb
Rating: 4.9
Votes: 298
Other Formats: AA AU FLAC TTA DMF AUD RA

Free Download Lou Reed - Metal Machine Music

Lou Reed - Metal Machine Music
MP3 version .RAR archive

1644 downloads at 17 mb/s
Lou Reed - Metal Machine Music
FLAC version .RAR archive

1188 downloads at 13 mb/s
Lou Reed - Metal Machine Music
WMA version .RAR archive

1428 downloads at 14 mb/s

Tracklist

1 Metal Machine Music, Part I 16:11
2 Metal Machine Music, Part II 15:53
3 Metal Machine Music, Part III 16:14
4 Metal Machine Music, Part IV 15:56

Companies, etc.

  • Phonographic Copyright (p) – RCA Records
  • Copyright (c) – Buddha Records
  • Distributed By – BMG Distribution
  • Manufactured By – BMG Distribution
  • Mastered At – Sterling Sound
  • Remastered At – Gateway Mastering
  • Pressed By – Sonopress

Credits

  • Coordinator [Production Coordinator] – Jeremy Holiday
  • Coordinator [Project Coordination] – Betty-Ann Rizzo, Bill Stafford , Brooke Nochomson, Dana Renert, Donna Malyszko, Felicia Gearhart, Glenn Delgado, Larry Parra, Robin Diamond, Robin Manning, Stephanie Kika
  • Cover – Acy Lehman, Lou Reed
  • Design [Redesign] – Brad Conger, David Kogut*
  • Liner Notes – David Fricke
  • Producer – Lou Reed
  • Producer [Production Assistance] – Phil Fischer, Steve Strauss, Tom Tierney, Traci Werbel
  • Product Manager – John Hudson
  • Reissue Producer – Rob Santos
  • Remastered By [Digitally] – Bob Ludwig

Notes

25th Anniversary reissue.
© 2000 Buddha Records ℗ 1975 RCA Records.
Manufactured and distributed by BMG Distribution.
Printed in the USA.

Mastered at Sterling Sound. Special thanks to Bob Ludwig.

Digitally remastered at Gateway Mastering Studios.

Barcode and Other Identifiers

  • Barcode: 744659975226
  • Matrix / Runout: 74465997522 [Sonopress logo] +A01+ E347301
  • Mastering SID Code: IFPI LB41
  • Mould SID Code: IFPI 10095

Other versions

Category Artist Title (Format) Label Category Country Year
CPL2-1101 Lou Reed Metal Machine Music (The Amine β Ring) ‎(2xLP, Album, Gat) RCA, RCA Victor CPL2-1101 US 1975
PIP DL 023 Lou Reed Metal Machine Music (The Amine β Ring) ‎(2xLP, Album, RE) Great Expectations PIP DL 023 UK 1991
CPS2-1101 Lou Reed Metal Machine Music (The Amine β Ring) ‎(8-Trk, Album) RCA CPS2-1101 Canada 1975
CPK2-1101 Lou Reed Metal Machine Music ‎(Cass, Album) RCA CPK2-1101 US 1975
CPL-21101, CPL2-1101 Lou Reed Metal Machine Music ‎(2xLP, Album, Gat) RCA, RCA CPL-21101, CPL2-1101 France & Benelux 1975
Dont_Wory
Truly an experimental album, Metal Machine is built from layered output of Reed's oscillating sound equipment, physically configured for innovative results. What you hear are intermeshed waveforms from unmanned guitars interacting with amplifiers, which are all tuned and controlled by Reed. The very dense and chaotic results are obtained by the four tracking of multiple separate channels of such experiments. From the liner notes, Reed says he wanted to make sound for himself to personally listen to, and that grew into these master tapes. The effect is an agglomeration of conflicting signals of which the only stable element is the volume and erratic tendency for change. Composition and writing are not the key ingredients here. Instead, content, lots of it, is crammed into a brutally raw production mix, which might truly pass for some kind of machine signal output. The four sides of the album simply start and stop abruptly to begin and end. In between is a place to empty your mind, by the shock and companionship of information overload. There aren't hidden melodies and so forth. This is physical equipment manipulation more in the field of signal processing. I don't think this was a slap dash effort. It's artistically different from the rock genre and should be appreciated from a different footing. The four "sides" are consistently dense, yet each is intrinsically unique. For noise fans.

Gavinranadar
I'm pretty sure the second album is the first one backwards, so pardon me but not "unique".

Lucam
Lou Reed's legendary crap album, 4 tracks of static noise which is supposed to be some vastly intellectual exercise in beard stroking and not the pretentious self-indulgent monotony that it appears to the unsophisticated. When it came out people refused to be hoodwinked and took it back to stores demanding refunds but nowadays people are more easily fooled - if you have it you can tell people you understand it, thus people will think you are more sophisticated and intellectual than they are etc. You may even get some pussy as a result of giving it 5/5 as SIX people have here! But let's face it, apart from being able to make people think you are sophisticated what value has it? You cannot listen to it for more than a few minutes at a time (a test of endurance), you cannot dance to it, you cannot learn the words and sing along to it.... It truly is a piece of junk.

Dagdardana
Obviously you're a Reed fan who clings to his popular works, and you probably hate every Reed album that critics hate too. And you think that the ladies think my listening to this is worthy of sex?! I've played this to 3 different girlfriends and they ALL highly questioned my taste thereafter. I don't think I'm cool or hip for liking this album, I think I'm a Lou Reed fan and experimental music fan for liking this album.

Wetiwavas
I purchased the remastered 2010 vinyl record about two or three months ago and have since recorded it to mp3 and added it to my iPod. The play-count for each of the four parts reads 29. (and that does not include the many times i have played the record itself.) I honestly DO put this record on nearly every morning when i wake up and get ready for the day. And just about everytime i listen to it i listen to the entire thing and enjoy all 60 minutes of it. I ride the bus with it blaring in my headphones, close my eyes and escape. From the first time i dropped the needle until now, i have been in love with this thing.Please, TRY to understand that people DO enjoy this record and while to you, it may sound like junk, I think, note: I THINK; in MY opinion, it really is ONE OF THE BEST albums ever recorded. I am not trying to be sophisticated at all. People have different tastes man, and it IS possible to listen to this and really enjoy it. Sorry, but i'm so sick of people saying things like 'oh you only listen to noise and MMM etcetera etcetera because you want to appear hardcore, you don't/can't really like it'. I simply am in love with SOUND. And MMM contains some of the most beautiful and powerful sounds i have ever heard.As a side note: To be fair, i feel just as confused when i hear people tell me about how great Bob Dylan and all of his records are. I personally do not like Bob Dylan and find a lot of his records to be a 'piece of junk', along with most of the music played on modern-pop radio.

Perongafa
I've sold, traded or got rid of anything I can dance to and most of the stuff that has words you can learn and sing.I've not got rid of this album and never will.

Ynap
Actually I do know a lot of tracks to which you cannot dance, learn the words or sing along but are great anyway.

Spilberg
.